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I just skipped through some new tracks at Fader magazine. Guess what, every single one had autotune in it. the sugary candy sweet rnb fotzen bullshit version of it. ugggly. like, check Lil Waynes feature on his “yellow girl”‘s song, which wouldnt even be that bad if it was limited to his part on a harder bass kick. It’s not such a pain in the ass as his “Prom Queen” rock bullshit, at least.

Than, Gang Gang Dance and Tinchy Styder? who wants to know? okay, three douchbages could produce greater garbage. Not exactlyhard and bangin but some good music, perhaps.Bonus points for being the only track without goddamn autotune bullshit. Don’t wanna hear about anything with the words “auto” and “tune” in it, unless you talkin ATU.

Jim Jones and Juelz Santana hopped on another corny faggot tune but then, the auto tune bullshit by Lil Jon caught my attention. It’s his first official Baltimore effort. Sidekickin it for DJ Class and straight bullshit before both shit talkers finally shut the fuck up at the end. but still: his first bmore tune.

DJ Class f. Lil Jon “I’m the Shit (Remix)”

Lil Jon should keep his eyes on the techno style he developed for Pitbull and roll with it, though. If I ever meet him I’ll tell him to screw the rest and work on some Hakke Crunk with me.

Pitbull‘s newest one isn’t that bad, apart from the basic idea of recycling the Bloodhound Gang Line. Pitbull and Lil Jon are fire fighting along the equaly unsigned Machel Montano and give their sound a carribean soca twist for this one. Definitely the best track of the post. Boah is dat geil ey.

Machel Montano ft Pitbull & Lil Jon, “Floor On Fire”